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Editorial Board

Sri N. Murali
Sri V. Sriram
Smt Sujatha Vijayaraghavan
Dr Chithra Madhavan

Queen Mary’s College Research Scholars’ articles
ABHAŃG – THE DEVOTIONAL FORM
SAŃGĪTA KALPADṚMAM OF HARIKĒŚANALLŪR MUṬTAIĀ BHĀGAVATAR
Comparative analysis of the melody in the Kṛti Śhri Mahāgaṇapatiravatumām with references to Saṅgīta Sampradāya Pradarśini of Subbarāma Dīkṣitar and Dīkṣita Kīrtana Mālā of A. Sundaram Ayyar
A Study of Oriental Music in European Notation by A.M Chinnaswāmi Mudaliyār

Madras University Research Scholars’ articles
THE MUSICAL FORM GITA AND ITS VARIETIES
MARGADARSI SEṢAYYAṄGAR’S COMPOSITIONS – A STUDY
TIRUVOṚṚIYUR TYAGAYYAR’S SANKIRTANA RATNAVALI
CONTRIBUTION OF MANAMBUCCAVAḌI VEṄKAṬASUBBAYYA AS A VITAL SOURCE OF DISSEMINATION FOR TYAGARAJA’S LINEAGE
DANCE DRAMAS OF KUR̲ AVAN ͂ CI GENRE – A STUDY OF KUMBE̅ SAR KUR̲ AVAN ͂ CI, RA̅ JAMO̅ HANA KOṞAVAN ͂ CI ANDSAHAJI MAHARAJA-S KUR̲ AVAN ͂ CI
AN ANALYSIS OF THE MUSIC COMPOSED BY TIRUPPAMBURAM SVAMINATHA PIḶḶAI FOR THE SONGS OF VE.RAMANATHAN CHEṬṬIYAR

Music Academy Scholars’ articles
“Khaṇḍa Tripuṭa tāḷa kuṛaippu in kalpana svaram”
ŚYĀMĀ ŚĀSTRI’S HANDLING OF MIŚRA CĀPU TĀLA IN HIS KALYĀṆI RĀGA KĪRTANA TALLI NINNU
The Anukramaṇikā Gīta in the SSP
STUDY OF LITERARY AND MUSICAL FORMS IN TELUGU YAKSHAGĀNĀS (With special reference to Shāhāji’s Śankara pallaki sevā prabandham &Viśnu Pallaki Seva Prabandham)
Manufacture of Veena and Tambura in Bangalore – The changing scenario.
MADHYAMAKĀLA FORMAT IN THE MELODIC STRUCTURE OF TYĀGARĀA KĪRTANA-S